Επί π(α)τωμάτων. H καταστροφή ως καλλιτεχνική διαδικασία.
Date Issued
May 13, 2019
Type
Μεταπτυχιακή Διπλωματική Εργασία
Abstract
This paper is the written part of a work entitled: “The destruction as a Social-Artistic Process”. The subject of the work underlines the responsibility of individuals in society. The theoretical part analyses the Destruction in Art Symposium in 1966 and The bystander effect, or bystander apathy, in which individuals are less likely to offer help to a victim when other people are present. The aim of the work is to step on the painting because of the darkness. At the same time a motion tracking system marks visitors and a light spot tracks them. As methodology the next steps are followed: Photos Collection. Project Composition and Construction, Development/Construction of the digital technology and Documentation.
Subjects