Η θεωρία Gestalt και η οπτική αντίληψη στην σύγχρονη τέχνη: Διερευνώντας πρακτικές επιμέλειας του έργου τέχνης από τον δημιουργό του.
Date Issued
January 19, 2020
Type
Μεταπτυχιακή Διπλωματική Εργασία
Abstract
The paper discusses the perception of the artists as far as the museographic diligence
of their work and the spectators’ visual perception is concerned. “Gestalt” concept and
the visual perception in reference to the artistic work and to the exhibition hall are
researched. Furthermore, an effort is made to investigate new ways of artistic
exhibitions perceptions emphasizing the holistic exhibitional experience. Therefore an
analysis of data collected by artists' interviews from all over Greece has been made.
Those interviews discuss issues about the holistic perception of the exhibition space
and the artists’ attempt to organize the tangible objects aiming at a more rounded artistic
experience. This research was based on a qualitative approach, gathering data through
interiews of ten individual artists.
The current research has noted down the artists’ concerns about their artistic work and
exhibition place, as well as their diversified view of the completion feeling that they
want to offer to their spectators. The conclusion is that the exhibition place is of great
concern to the artists in Greece, who can “discuss” with his/her work through the
“Gestalt” principles, aiming at a deeper understanding and signification
Subjects